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Never-ending List of Things to Do, June 2018 Edition

10 Jun

This is one of those semi-regular “What am I working on oh that’s everything” post.

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New Disasterhouse post

2 Feb

There’s a new post up at the home blog. It’s about signs, and bewaring.

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The Matter of a “Few Dollars”

9 Dec

So. Let’s talk about Patreon.

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Never-Ending List of Things to Do, Feb ’16 Edition

9 Feb

Write a blog post.

Quiet, brain, I’m working.

Write a blog post!

Working. Hush. I’ll give you cookies.

Write a blog post or I’ll remind you about this thing you did when you were eight.

Fine. Okay. Right. Let’s organize the work schedule for the next few months, shall we?

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2015 Wrapup, 2016 Goals

28 Dec

I think it’s normal to get a touch of the maudlin at this time of year, especially if things have been going well. And they have–I’m feeling remarkably lucky. I’m going over my list of complaints and right now my major one is that I’m not allowing myself sushi until December is over, as sushi is expensive and other people need that money more than my local sushi dealer, and that may be the stupidest, most vapid complaint ever so I’m going to sit here and remind myself how lucky I am to be able to make it.

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Never-ending List of Things to Do, November ’15 Edition

12 Nov

GREEK KEY has been out for two weeks, so this is the obligatory getting-my-working-life-in-order post.

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Open Call for Patreon Feedback

18 Sep

Part Eighty Kabillion in my ongoing series: What Is This Thing? What Can I Do With This Thing? and How Can I Make This Thing Better?

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Site Maintenance

7 Sep

If your RSS/email has been bouncy today, I apologize; I’ve been doing some site maintenance, and while I try to disable functions, it doesn’t seem to catch everything.

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Neverending List of Things to Do, March Edition

2 Mar

It’s Monday! I’m paying bills! I’m organizing my schedule! I’m drawing pictures of penises in tiny hats happy kittens playing with bits of string. Let’s throw some of these deadlines out there and see where they stick:

Novels & Stories

The soft release date for STATE MACHINE, the third Rachel Peng book, is on or around May 4th. I’ll do a firm release date when the cover art is finalized.

The soft release date for GREEK KEY, the first Hope Blackwell book, is on or around June 15th.

It’s looking like the third tier on my Patreon will be met sometime within the next few months, so after I get the Kickstarter nailed down, I’ll start working on Joshsmut again.

I have a story about Ami the Assassin out on spec to a sci-fi publisher. I should hear back within the next month whether they’ll take it. If they pass, I’ll put it up for sale in the store.

Kickstarter

This thing, guys, this thing… I don’t even…

LEAGUE NIGHT and COME BOWLING WITH ME have already been sent out. Backers who bought the challenge coins (and nothing else) have already received them.

As for the rest… Okay, I need to speak generally here, as I have prepaid a Supplier and don’t want what I say to backfire on me (read: Sucker! Your money is MINE FOREVER), but there is a certain level of irony to needing to take out a loan to finish fulfilling a Kickstarter. There’s yet another level of irony to paying a Supplier to do work that you don’t have the time or skill to do yourself, but they do it so poorly that you then have to do it yourself anyhow. I’m drawing a second mini-comic for all backers who also bought a copy of ZOO STORY as an apology for the delay.

I’m aiming to have the audiobook of DIGITAL DIVIDE finished and shipped to backers before the third Rachel Peng book hits, so this will be on or around May 1st.

As for final product shipping, we’re headed back to the studio soon to finish recording MAKER SPACE. Once I’ve completed the digital edits, I can put everything in the mail and ship it all out. I don’t have a firm deadline on when this will happen.

Giveaways

GIMME BOOK 2014 is over, and all books have been shipped. Except for the person who sent me this:

If you sent me this, please email or message me. I have your book.

If you sent me this, please email or message me. You won, but I need your address as I still have your book.

 

Patreon

I’m thinking of changing the fourth tier from “Get rid of ads on the website” to “Make the Wedding Story.” I’ve had the script Pat and Hope’s wedding finished for years, and I’ve never had the time to draw it. I’d give this project priority status in the Neverending Queue if the fourth tier is met.

Also, my ad company changed hands recently, and they’ve stopped a lot of the nonsense that made me want to ditch them. They’ve added an auto-report feature where I can report a problematic ad and it’s removed immediately. If you ever see any ads with malware or are triggering (e.g.: sexist, racist, etc.), let me know and I can get them pulled.

Disasterhouse

This blog will begin updating soon, as: (1) we’ve done the math, and we’ve accepted that we’re trapped in this Amityville horror and can’t afford to move; and (2) the financial cost of the foundation repairs we’re going to do this month would buy a very nice car. We’re talking a fine German engineering level of “nice”.

It’s March

I approve. I am in favor of Spring.

‘Twas the night before VAT-MOSS…

30 Dec

I live in the United States –North Carolina, to be specific– and am a one-woman show. Each day, I get up and put in 8 to 14 hours on various projects. Comics, short stories, novels, products…  I do all of my own shipping. I answer emails (poorly, and usually in batches when I finally get a spare hour). I’m trying to salvage a simple Kickstarter that went so far off of the rails that I’ve had to start building new rails. You want to see me juggle plates? I will try to juggle plates! And then I will need new plates.

In other words, I’m exactly like every single other independent businessperson working for themselves in the creative economy. Sure, the tasks change: maybe you make music instead of comics, or put out .pdfs of knitting patterns instead of novels. Regardless of the flavor, we all put in the long, long hours because we love what we do.

(Lord knows it’s not for the money. This has been my first year as an independent full-time creator, and it’s been ridiculously rough. Sometimes I’ll search online just to learn what a dental hygienist or an actuary makes, and sigh.)

But as of December 30th, I’m making minimum wage for a typical 8-hour workday. In North Carolina, this works out to $7.25 an hour. That was my benchmark for whether or not I can (airquotes) make it (/airquotes) as an independent creator. I gave myself a year to see if I could do it. And I can! Woo hoo!

Here, I’ll save you the math: this works out to $290 a week, $1160 a month, and $13920 a year. Also, this does not include overtime. If I work over 8 hours a day, it’s unpaid labor.

(Did you know that an actuary can earn upwards of $250,000 a year?)

One of my steadiest sources of income are digital downloads. These are amazing! I create a product, bundle it in a handy downloadable file, stick it in my store, and forget about it. I don’t have to invest in maintaining an inventory or shipping. It’s an up-front investment of my time that can pay out again and again. Combined with Patreon*, digital downloads are a major component of my earnings.

Digital downloads are were also the best way for me to reach international readers. I no longer offer shipping anywhere other than within the United States. I will ship overseas when asked, but nothing turns a potential customer away more quickly than seeing that the shipping and handling on an item exceeds the cost of the item itself. There are no barriers to digital downloads.

Well, not until January 1, 2015.

I wrote about VAT-MOSS a month ago, when I first learned that new tax regulations would target digital products in the European Union. These taxes are… complicated. The stupid-short version is that taxes are based on where the customer is at the moment of purchase. Not where I, the seller, live and/or work. Not where the customer lives. It’s determined by the location of the customer when they decide to purchase a digital product.

I’ve been watching the subsequent VAT-MOSS clusterfuck like a dog watching that last pizza crust on the plate —Where’s it gonna go? How’s it gonna land? Will I be quick enough to take advantage of it?– and I’ve been hoping that the EU would simply decide to postpone the VAT-MOSS rollout for creators making less than X-Amount for another year. Since those supervising VAT-MOSS at the EU seemed surprised to learn that independent creators across the entire freakin’ planet had never even heard of this new legislation until it gained traction in social media, I felt that this wasn’t an unrealistic expectation. Allowing a one-year exemption for small independent creators would give everybody time to sort out the mess and prepare for the next stage in the creative economy.

As of December 29th, it appears that VAT-MOSS will roll out as scheduled.

There have been some minor changes to cushion the blow for small businesses, but these aren’t substantial and will have no significant effect on me. (I should point out that while the article I just referenced says “non-EU sellers are probably safe if they ignore [VAT-MOSS taxes]”, the breakdown from the gov.uk website states that “Businesses outside the EU (for example, the USA) that supply digital services to consumers in one or more EU member state are also affected by the changes,” and I’m gonna go with that one, thanks.)

So, I’m disabling digital downloads from my store to EU customers. This won’t involve much, since I use Big Cartel/Pulley as my shopping cart system and they are awesome. I change a setting, and EU customers no longer have the option of buying my digital products directly from me. Sorry, guys. I don’t want to be a dick. I’ll make sure you have access to these items through third-party vendors, Patreon, and by giving them to you free of charge when all else fails.

Finally, I don’t think this is a death knell for me as an independent creator. I was lucky enough to squeak in under the wire. But if 2015 were my make-or-break year… Well. It’s not. I got lucky. My sympathies to those who have to make major changes to their stores, or who have to abandon their creative pursuits altogether.

(I should tie all of this together with another joke about becoming an actuary, but that’s in poor taste when peoples’ livelihoods are a’splodin’ all over the world.)


*I should note that my Patreon has been lurking in the $750 range until mid-December, and the Spirit of My Readers are FREAKIN’ AWESOME! recently tipped it over the top.


ETA (5:15pm): Big Cartel also has a tax setting, and is aware of the VAT-MOSS changes. They are looking into workarounds so they can collect and report tax directly, but it will take time.