This is one of those semi-regular “What am I working on oh that’s everything” post.
Okay. Whee. Let’s organize some thoughts.
The big news is that I’ve got an agent! I’ve signed with Diana Fox of Fox Literary. I’ve met her, she’s fabulous, she’s a sparkly disco ball made of tiny razors. I have a hugely positive outlook for my future career, as long as Screamy Orange Grandpa doesn’t tank the national economy to the point where books are reduced to cheap kindling.
The principle project I’m working on for traditional publishing is the Helen of Troy (*cough* Sparta!) manuscript. It’s an aggressively feminist retelling of The Iliad, and I love Clytemnestra with all my heart. I think that’s all I can say about this project at the current time.
But! A major reason I signed with Diana is because she embraces self-publishing as a way to bring stories into the world that don’t have enough viability for the traditional marketplace. Which is a fancy way of saying that I’m working on the next Hope Blackwell novel. It’s about ghost hunters (of course) and dead pirates (…okay?) and a wild roadrunner which may or may not be possessed with the spirit of the Sonoran Desert (…wait what…). Plus, Speedy. I’m aiming for a Halloween release to drop this sucker on an unsuspecting planet.
What about Rachel Peng? you ask? The Rachel Peng books are heavily political in nature, and I…look, things are absolute shit right now. I’m working on the next two books in the series, because the upcoming book is when That Bad Thing happens to Those Two Characters and I want to have a unicorn chaser follow it as quickly as possible. So I’m working on two books in the same series at once, which is difficult but will be worth it.
What about the Kickstarter? you ask? It’s not dead. I’m slowly but surely mailing out the bonus items to Backers. The production of the audiobooks might be removed from my hands entirely at some point, which is excellent because I’m not a sound editor and I cannot produce these books myself, not without sacrificing quality. And yes, there’s a huge complicated story here that I can’t disclose even though I just want to scream about the whole mess forever.
Other items of note:
The second act A Girl and Her Fed is winding down. Thanks to my Patreon Supporters, there will be a third act. This was in doubt for a long time–the comic has never paid for itself, ever. It was only when I started putting out the novels that I earned enough to become a full-time creator. Patreon has been a blessing and it’s a source of income that I try not to take for granted, as it could go away in a heartbeat (see: last December). With that said, Patreon’s income has allowed me to continue work on the comic when the money from the books slows down. But I’m getting stretched thin for time. For the third act of the comic, I’d like to use a large chunk of my Patreon money to hire an artist to do the art while I concentrate on the writing. This is a good thing! Yes, we all hate change. Yes, I’m a huge control freak and don’t want to put my characters in someone else’s hands. But facts are facts: I’ve always been a better writer than an artist, and complicated story comics should be updating at least three times a week. I want to hire an artist and pay them an industry-standard per-page rate, plus benefits so they don’t flake and leave me trying to find someone new in the middle of the third act.
That’s all I can think of right now. Ask me questions in the comments and I’ll update this post with anything I’ve missed.